The baboons yell, warning their symbiotic mates, the impala, against encroaching predators. The long limbed and skittish impala and the squirrely and dexterous baboon seem an unlikely set of friends.
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The baboons yell, warning their symbiotic mates, the impala, against encroaching predators. The long limbed and skittish impala and the squirrely and dexterous baboon seem an unlikely set of friends.
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Two artists, one subject. Bernadette Kelly paints Diane while Kit Brown photographs her; Sam Gordon and Ambarish Manepalli film them at work in the studio. Like jazz, the artists riff off one another.
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Kyrie Kristmanson’s latest musical project, an interpretation of musical and lyrical manuscripts dating back to 12th century southern France composed by a compelling group of female songwriters known as les troubadours, will be premiered this Sunday, 17 June, at l’Église Notre Dame d’Espérance in Paris, France.
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I had rounded the corner onto Dover when a woman took my shoulder as she passed. She led three balloons bobbing on strings. A little girl trailed closely behind. Suddenly, in that moment, everything became you: that little girl, her lemon yellow balloons. The girl was your age – the age you will always be – face to the sky, watching the balloons bounce as she tiptoed the cobbles.
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In a film series shot by Sam Gordon for Her Royal Majesty, we interview the artists in residence at 59 Rivoli, after-squat in central Paris. In this film, Mariko Saito talks about her process and her inspirations: animals, childhood, and stars, automatic thinking.
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